ClerkinWorks & Improbable present
A series of improvisation workshops for women & non-binary folk, exploring improvisation in theatre, comedy, storytelling, devising, making and writing. We experiment with being heroes and villains and put our own stories centre stage. Oh, and practice being confident and generous as we fuck up. It’s time to find out what happens when we step through the door…
News: Through The Door Impro Workshops for Women & NBs
Globe Theatre, Sackler Studios, Bear Gardens SE1
Every Sunday February 10th – March 31st 2-5pm
Led by Angela Clerkin Produced by Sarah Grange
Guest Facilitators: Jeanefer Jean-Charles, Emma Frankland & Lesley Ewen
AN INVITATION FROM ANGELA:
I care passionately about the visibility, confidence, quality, and power of women in improvisation, theatre and the world. While I am thrilled that there are more female improvisors in the UK than ever before, there is still a lot of work to be done. Let’s be more inclusive of WOC, disabled, women, LGBTQ, working class peeps and all the intersections. I believe this will benefit everyone – challenging, enriching and changing us – and the stories we improvise.
As a working-class queer woman, I am aware of what effect lack of opportunities can have on the spirit. When creative doors have opened for me I haven’t always have the confidence or know-how to step into my most powerful and generous performing self. There have also been many times when the door has been opened for me and I have stepped through and flourished.
The workshops are open to women and NBs who are actors, improvisors and theatre-makers at all levels of experience who want to train, practise and hone their improvisation skills. I look forward to stepping through the door with you.
Through The Door’s first incarnation was a course of Improvisation workshops for women and nbs on Sundays Nov-Dec 2018 at Theatre Deli. TTD’s aim is to inclusively explore and share the enormous benefits of learning skills, practising, taking space, generosity, surviving failures and discovering agency through improvisation.
We accepted 21 people onto the course and there was also a full waiting list. The participants were a mixture of actors, dancers, drag kings, writers, directors, cabaret performers and a designer. Almost half were PoC, a large percentage were LGBTQ, ages ranged early 20s to 60s, many low/no income. We kept costs low in order to attract those who are often excluded from workshops due to their prohibitive price. ClerkinWorks donated planning/ coordinating time, Improbable gave financial support and producer Sarah Grange, and Theatre Deli donated space. The sessions were led by Angela Clerkin with guest facilitators Pauline Mayers, Stella Duffy and Cathy Tyson. Sound designer Adrienne Quartley joined us on a couple of occasions.
“Time has flown and I know already I feel the need to take part in another extension of Through the Door. It is certainly opening doors within me. Giving me time and strength to take chances with movement and thoughts. All new to me.. It’s been a great experience.” Yasmin Pettigrew
It was exciting to know for sure that when we diversify the performers and facilitators in our practice, providing opportunities to step through the door, we are inviting new stories, and enriching our shared experiences. We took risks, experimented and mashed up various disciplines and as a result the improvisations during the workshops were often rich, diverse, funny, surprising, challenging and varied.
“I am usually wary of coming to improv spaces as they are usually very white, cis and straight – not here. I felt safe to be vulnerable and collaborative as the scenes was/were set perfectly to foster that. I hope this continues as I can see us creating amazing work together and individually as a result of this series of workshops. Thank you for thinking of what inclusive and accessible creative spaces can look like.” Tobi Adebajo
Improvisation is a practice where deep work and transformation can take place – and these workshops felt important and radical. Having highly skilled facilitators from various disciplines leading sessions was exciting and valuable. We are aiming to create a space where the players have agency to tell their own stories and create new realities.
Angela Clerkin is an actor, improvisor, writer and theatre-maker. AD of ClerkinWorks (www.clerkinworks.com), an Associate Artist with Improbable (www.improbable.co.uk) and Chris Goode & Co. Angela has worked with Improbable for over 20 years, performing in Lifegame, Animo, Cinderella, Permission Improbable, The Bear & Panic. Acting credits include productions at the Barbican, Sydney Opera House, National Theatre, Edinburgh Lyceum, Young Vic, Lyric, ICA, Northern Stage, BAC, Liverpool Playhouse, Almeida, Old Vic, Ovalhouse. TV: Dr Who, Humans, Holby City, Dean Spanley, Dalziel & Pascoe, EastEnders, My Family, Sugar Rush, The Office (series 1). Angela’s play Bem-Vindo Estranho toured Brazil 2013-15 and Portugal 2016, with an extended sell out run in Lisbon. She has run workshops for Improbable, Young Vic, NT/Sphinx, BAC, E15, Actors Centre, London Bubble, Traverse and more.
Pauline Mayers has a background in dance and choreography. Associate Artist at Leeds Playhouse and Chris Goode & Co. AD of The Mayers Ensemble, her solo show What If I Told You was short listed for the Amnesty Freedom of Expression award 2017.
Stella Duffy writes novels and stories, makes theatre, and co-directs Fun Palaces. She has been an improvisor since the mid-1980s, is an Associate Artist with Improbable, and has taught improvisation-for-writers for the Arvon Foundation.
Cathy Tyson enjoys working as an actress in stage, film, tv and radio (Winner LA Film Critics Association Award). Recent workshops for Hammersmith Youth Offending Team and Declaration – a scheme for under-represented actors and writers in Wales.